With a unique combination of sculpture, film and painting, Monster Chetwynd creates immersive worlds where art history, pop culture, and humor intertwine. As the first performance artist nominated for the Turner Prize in 2012, Monster Chetwynd embraces improvisation, allowing space for spontaneous, authentic moments.

Change subtitle language via the subtitle icon.

A transformative space

Tickets

'Cool Down' promotion 2 for 1: Roman Signer & Monster Chetwynd including the collection for only CHF 31.–/22.–*. Valid from July 7 to August 17, 2025.
*Reduced admission

Annual Pass/Membership

Free entry with a membership, plus an invitation to all openings and many other benefits!

The exhibition invites visitors to discover Chetwynd's works in a scenography designed by the artist herself. Her practice is characterized by the bricolage method, influenced by Claude Lévi-Strauss. Inspired by the historic Via Appia near Rome and its monumental tombs, the exhibition integrates key works from her artistic career: sculptures, early performance documentation, and paintings from the 'Bat Opera' series, in which she merges art historical references - such as the works of Giovanni Battista Tiepolo - with zoological depictions of bats.

Monster-Chetwynd_4J1A0718
Monster Chetwynd, The Trompe l'oeil Cleavage, 2025 © Monster Chetwynd
Monster_DSC02213
Exhibition view Kunsthaus Zürich, 2025 © Monster Chetwynd, Photo: Franca Candrian, Kunsthaus Zürich
Monster_DSC02386
Exhibition view Kunsthaus Zürich, 2025 © Monster Chetwynd, Photo: Franca Candrian, Kunsthaus Zürich
Monster_DSC02166
Exhibition view Kunsthaus Zürich, 2025 © Monster Chetwynd, Photo: Franca Candrian, Kunsthaus Zürich
4J1A0075-Edit Kopie 2
Monster Chetwynd, The Trompe l'oeil Cleavage, 2025 © Monster Chetwynd
Monster_DSC02216
Exhibition view Kunsthaus Zürich, 2025 © Monster Chetwynd, Photo: Franca Candrian, Kunsthaus Zürich
Bat-Opera_CHET_WP_80.001.O
Monster Chetwynd, Bat Opera XXIII, 2020, Privatsammlung, Zürich, Courtesy of the artist and Galerie Gregor Staiger, Zurich/Milan © Monster Chetwynd
Lantern-Fly_Mars-Venus-2021_CHET_WM_9-001-O_Bronfen-Abb-20
Monster Chetwynd, Lantern Fly (Mars&Venus), 2021, Courtesy of the artist and Galerie Gregor Staiger, Zurich/Milan © Monster Chetwynd, Installationsansicht © Galerie Gregor Staiger, Zurich/Milan
Monster_DSC02224_d
Exhibition view Kunsthaus Zürich, 2025 © Monster Chetwynd, Photo: Franca Candrian, Kunsthaus Zürich
Bat-Opera-478_Privatsammlung
Monster Chetwynd, Bat Opera (478), 2017, Privatsammlung, Zürich, Courtesy of the artist and Galerie Gregor Staiger, Zurich/Milan © Monster Chetwynd

For the first time, the exhibition shows all three episodes of the ‘Hermitos Children’ film series together. These combine experimental film-making and surreal humour with profound reflections on themes such as collaboration and humanity, and also present her performances in a new and innovative way. ‘My aim with “Hermitos Children” was to solve the dilemma of documenting the uniqueness of performances without losing their vitality’, Chetwynd explains.

« I feel drawn to surrealism, nonsense, and irreverence, as though they would reflect my reality. » — Monster Chetwynd

Monster Chetwynd shapes the art scene not only through radical and creative works but also with her unique personality. In 2018, she chose the artist name 'Monster' as a playful challenge to conventions and identity. ‘I think the name works well because it is genderless, engulfing, inclusive, and undefined’, says Chetwynd. Since moving to Zurich in 2020, she has not only enriched the local art scene but also brought new impulses to her own artistic practice. This connection to her chosen home makes the exhibition at the Kunsthaus Zürich a particularly significant undertaking.

Curated by Raphael Gygax, Curator at Large, and supported by Swiss Re – Partner for Contemporary Art.

Zardoz1
Rendering of the planned installation 'Zardoz' by Monster Chetwynd in the garden of art.

'Zardoz': Coming late summer to the garden of art

Parallel to the exhibition, Monster Chetwynd is creating the first commissioned work titled 'Zardoz' for the garden of art as part of the 'Art for All' series: a playful garden structure in the style of a ‘folly’, complete with a hidden climbing frame. The opening is planned for late summer, with further details to be announced at the official unveiling in late August.

This project is supported by the Hans Imholz Foundation, a further foundation which prefers to remain anonymous, as well as private patrons from the Gateway Fund, which promotes contemporary art installations in the public space.

Supported by the Hans Imholz Foundation, Tarbaca Indigo Foundation , Dr. Georg und Josi Guggenheim Stiftung , two additional foundations wishing to remain unnamed, as well as private donors to the Gateway Fund, a fund dedicated to supporting public art installations at Kunsthaus Zürich.

#kunsthauszurich

Monster_Katalog
Photo © Franca Candrian, Kunsthaus Zürich

Exhibition publication

The exhibition is accompanied by a publication that sheds light on key questions surrounding Monster Chetwynd’s artistic practice: How does she select and combine different materials and references? How does she manage to strike a balance between humor, ritual, storytelling, and critical commentary in her performances and installations? These and other aspects are explored in a conversation between the artist and Raphael Gygax, Curator at Large – documented in the accompanying publication in German and English.

CHF 48.–

Available in our museum shops or online via publisher website.

DSC03118
Monster Chetwynd, 'Collage' (2025), colour lithograph on 270 gsm handmade paper, edition of 50 copies + 10 AP, numbered and signed, dimensions: 50 x 70 cm

Limited Lithograph Edition

Monster Chetwynd has created a colour lithograph edition for the Kunsthaus at the Wolfensberger lithographic printing studio. The starting point for this limited edition of 50 copies – numbered and signed – was one of her collages, also featured in the installation. A closer look at the composition reveals not only a peacock head design by René Lalique set against a background inspired by the famous ecologist Ernst Haeckel – whose works captivate the artist through their structure and detail – but also smaller black-and-white fragments: a photograph by Helmut Newton and an etching by Watteau. These diverse elements merge into a fantastical creature – very much in the spirit of those Chetwynd has created for her installation at Kunsthaus Zürich.

The first 10 copies are available at CHF 650.–.
The remaining 40 copies are priced at CHF 750.–.

Available in our museum shops.

The exhibition is supported by:

The 'Art for all’ commissioned work for the garden of art is supported by:

Ill. above: Monster Chetwynd, The Trompe l'oeil Cleavage, 2025 © Monster Chetwynd