Unexpected encounters, playful experiments, and the forces of nature Roman Signer’s art reveals a world full of energy and transformation. The large exhibition gallery at the Kunsthaus Zürich will become an open landscape where time, movement, and material come together in surprising ways.

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A New Perspective on the World

Tickets

'Cool Down' promotion 2 for 1: Roman Signer & Monster Chetwynd including the collection for only CHF 31.–/22.–*. Valid from July 7 to August 17, 2025.
*Reduced admission

Annual Pass/Membership

Free entry with a membership, plus an invitation to all previews and many other benefits!

Roman Signer is a master of transformation. For over five decades, he has explored the possibilities of time, space, and energy using the simplest of materials. Everyday objects such as buckets, bottles, or kayaks become carriers of surprising, poetic events in his art. With curiosity and a sense of experimentation, Signer challenges the order of the world and invites us to rediscover its beauty and power from new perspectives.

Inspired by life itself, Signer has never been a studio artist. His works often emerge in the open air or urban spaces. During a study stay in Warsaw in the 1970s, the streets became his "academy." This playful and open approach has shaped his artistic practice ever since.

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Installation view Kunsthaus Zürich, photo © Franca Candrian
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Roman Signer, Boots, Fitjar, 2012 Photo: Tomasz Rogowiec © Roman Signer
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Roman Signer, Kayak tip, 2017, Photo: Tomasz Rogowiec © Roman Signer
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Roman Signer, Table, Island, 1994 Photo: Roman Signer © Roman Signer
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Roman Signer, Cross-country skis, 2000 Photo: Roman Signer, © Roman Signer
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Roman Signer, Office chair, 2006 Digital photo: Tomasz Rogowiec © Roman Signer
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Roman Signer, Action in Sedrun, 2010 Gotthard breakthrough 15.10.2010 Photo: Michael Bodenmann © Roman Signer
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Roman Signer, Due ombrelli, Sardinia, Nuoro 2016, Photo: Barbara Signer, © Roman Signer
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Roman Signer, Floating, experiment in studio, 1995 Photo: Stefan Rohner © Roman Signer
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Roman Signer, Sphere with blue colour Shanghai Biennale, 2012, Video prints: Wangya, Beijing, Hight speed camera from above © Roman Signer

A Landscape of Possibilities

The exhibition at the Kunsthaus Zürich offers a chance to experience Signer’s work in an open and dynamic setting. Without walls or boundaries, the artist arranges his works so that visitors can explore them as if taking a walk. At the heart of the exhibition are new works created specifically for the show, alongside significant pieces from various stages of his career.

« You wander from one sculpture to the next, encountering a wide variety of works along the way. That’s the idea. It’s a sculpture landscape. » — Roman Signer

An iconic element in Signer’s oeuvre is the kayak – sometimes suspended, sometimes dismantled, or on a bumpy ride through the landscape. His works surprise, inspire wonder, and encourage us to rediscover the world with a sense of playfulness.

In addition to the sculptures, the exhibition features films and photographs that highlight the temporal and performative aspects of Signer’s art. This creates a compelling dialogue between permanence and transience, between the forces of nature and humanity’s attempts to harness them.

Curated by Mirjam Varadinis, Curator at Large. The exhibition is supported by UBS , partner of Kunsthaus Zürich, the Monsol Foundation , and Boston Consulting Group .

NOTE: The work Fontana di Piaggio has not been on display since 1 July.

#kunsthauszurich

Signer-Katalog-Platzhalter
Photo © Franca Candrian, Kunsthaus Zürich

Exhibition publication

A publication accompanying the exhibition explores key questions about Roman Signer’s work: What role does the kayak play? Why are time and gravity of such great importance? These and many other questions are addressed in a multi-part conversation between the artist and Kunsthaus curator Mirjam Varadinis. Numerous archival images complement the dialogue and document central moments in his artistic practice.

CHF 34.–

Available in our museum shops or online via publisher website.

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Roman Signer, ‘Cheese with a Bite’, 2025. Brass cast, edition of 15 + 5 APs. Numbered with punched numerals and signed ‘RS’, including certificate and packaging, dimensions: 12.1 x 8 x 4.6 cm, weight: 1.9 kg. Photo: Franca Candrian, Kunsthaus Züric

Edition 'Käse mit Biss'

'I felt like biting into a piece of cheese – and that’s how the idea for the edition came about.'
Roman Signer

A real bite by Roman Signer into a piece of Appenzeller cheese was the starting point for his limited edition 'Käse mit Biss'. The distinctive imprint was cast in brass and realized as a sculptural object in collaboration with NZZ Art .

The edition is already sold out.

Supported by:

Ill.: Roman Signer, Water Boots, 1986 Photo: Marek Rogowiec, © Roman Signer